Thursday, November 16, 2017

The Block

For the benefit of those not privy to my social network face thing, here's a recap:

I spent over a year (not continuously) writing a novel essentially aimed at the 14 to 21 age range. It's called The Imagination Station and was something I must like because I've spent an inordinate amount of time on it; far more than I usually do with fanciful creative writing projects.

I reached a point about a year ago where I wasn't prepared to do anything else to it until I'd had an appraisal from someone I trusted. I opted to ask my wife to edit it. A bold move considering she had never done anything like that before; she was close to the author and she might have been inclined to pull her punches. I, personally, opted for her to write it because I trusted her to tell me quite candidly if she hated it. I am confident my wife will never give me a snow job or blow smoke up my arse.

It was almost a year to the day from printing it out to her sitting down with a pencil, rubber and constructive critique's hat on and that was the day the block arrived...

It wasn't there, then it was. Like some insane barrier appearing out of nowhere, I crashed. Along with my usual syntax errors, I discovered my input keys were fried. Except, they weren't. Metaphorically, if I looked in a specific direction and I could not see the barrier I could write. From the point when I finally decided I could write no more on the novel, I outlined Station's sequel, wrote a short story that fits into an idea I was working on before Station popped into my head and nothing else. In the same amount of time, I have written 43 blogs, an article for a comics fanzine and more shite on social media than you can shake a dirty stick at...

Whatever the block is, it's transparent to certain things.

The wife really liked Station. She's appalled at some of my syntax; she thinks it needs some intensive polishing in places, but she didn't see things coming; she had no idea I was going to do certain things and she was bitterly disappointed that parts of it weren't expanded on - "You have to make the HG Wells thing a stand alone chapter!" was something she actually got quite enthused about (I tease you with enigmatically). It's a good job really; at 55 I was seriously considering calling it a day at creative writing and just farting about with blogs. I don't really expect to become a famous writer now; that ship has sailed and even if I got a break my health would probably limit my longevity. I've spent far too much time not spending enough time on the things I write.

As someone with a vivid imagination, I often used to think if I'd lived in Hollywood I would have pitched hundreds of ideas for different kinds of TV shows or films; as I got older I've treated my own creative writing as nothing more than my own little worlds where if I'm the only person who knows about them then that's fine by me. One of the beautiful things about Station for me was knowing how it ended, but not knowing quite how it was going to get there. I mean, I knew all along but as my conscious mind uncovered the subconscious story it was a bit like reading a good book or watching a good film, for the first time. That's a joy and one money (or filmmakers) can't match.

Since we've lived in Scotland my imagination has kind of dried up. There are still ideas, but apart from one isolated thing, I've not started any new ideas since three weeks prior to leaving Northampton. Don't get me wrong; my brain is attuned okay. It's working overtime until I sit down in front of the computer. Actually, that's a lie; I don't open Word or do anything remotely like I'm going to do something constructive and usually end up doing something trivial or pointless - a card game or blowing something up on Facebook games. The need for either a job or a constructive hobby is probably essential for my health. I have put on weight, which is a bad thing for me and the catch-22 is I don't get the exercise I used to despite it being wonderful here.

The change in our lives has changed me.

I have a manuscript to edit and I should be approaching it with gusto; after all, my wife has given me a little bit of optimism and ambition back and I've been itching to get back to the story since I finished it. But... you know... It's like both of us have switched off from the rest of the world and we simply can't get back on the wagon.

We do the new pub quiz over in Newton Stewart every Thursday, with our team of fellow English people. I expect now that we've completely destroyed the opposition, having won by insulting margins for 4 consecutive weeks we'll start to be treated like deep-fried dog shit by the regulars and ... do you know, despite really enjoying the company of our new friends, I miss winning money and drinking something that resembles beer when I do pub quizzes. I'd be lying if I said living in Scotland has been all brilliant; but the material things I miss I can live without quite easily. The way I look at it, if and when I get to have the things I don't get very often I'll enjoy them more.

I don't know if the slight ennui I have about the quiz is also what is bothering my creative writing process. Honestly, grammatical laziness aside, writing this stuff is clown's shoes and really easy; writing something you care what others think about is fooking hard. So when one is in a kind of existential fugue state like I seem to be at the moment, getting my shiny groove on is pretty much the same as being depressed but without the black shadow of despondency hanging over you. And like depression, it isn't a case of just pulling yourself together or working through it, it's about being in a mental position to do yourself and what you work on justice. Having a block isn't like not wanting to do something, ending up doing it and having a better than expected time. It's literally about not being able to do what I'm doing here.

My fantastic ability is to be able to write like cows shit, and on demand. I was trained for years to regurgitate press releases and hash out a news story from some sticks and bits of gravel, but if I had to write a fictional story in this current state... I have more chance of using my own farts to propel me to the moon. Actually, while I have written a fair bit since 'finishing' Station, in comparison to previous times, even my 'factual' output has dropped off this year - not surprising given the traumatic year of upheaval we've just experienced, but at the moment it concerns me that my surroundings have rather enchanted me the way a vampire transfixes its victim. 

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